Archive for the ‘Ads’ Category

80s Estonian Meat Commercial

Monday, February 4th, 2008

I’d avoid watching this if you’re a vegetarian, or a meat eater who fears they might be easily transformed into one.

The Paedo Pound

Friday, February 1st, 2008

Ryanair have been asked to withdraw the above ad, and Woolworths have decided to stop selling “Lolita” bedroom furniture for young girls. I’d love to meet the person who decided “Lolita” was a clever name for a company selling furniture for young females. And then put him/her on Dragons Den to explain why.

Oops I dropped your Capitalism

Wednesday, October 31st, 2007

From 1st Avenue in New York.

Not sure how the person got up there, not sure whether to agree 100 per cent with the idea that images like this cause rape. But have to wholeheartedly endorse somebody placing a leftfield, ugly and interruptive idea on a massive striking billboard, for all to see. What a coercive way of making people think.

“I’m all over your old folk, I’m inside your grandmother’s lungs, I am invisible and everywhere, what am I?”

Friday, October 5th, 2007


I’m Carbon Monoxide! The silent killer! So clearly this ad is one of the high points of Irish television over the last 3 to 4 years. But what is the best part? Here’s a selection.

  1. Opening “SILENT KILLER” with Mary Robinson hand gestures, this is Duncan (anyone know why he seems so familiar) introducing himself as a man with a big idea, a mission even.
  2. “An open vent, that’s vital. And the boiler’s had its annual service….great!-But Duncan isn’t going to lecture you, nobody likes that. Instead, he assumes, for the sake of all common decency and sense, that there is no doubt whatsoever that you have open vents and a boiler that’s been serviced.
  3. “Keep chimneys vents and flues unblocked…and check them when you’ve had builders in!” (Or anyone else less middle class than you)
  4. “Never block a vent”-Particularly not with what looks like an old pair of Y-fronts.
  5. “Carbon Monoxide IS a silent killer”. This resounding statement attempts to wallop the point into the top corner however it tips the balance of credibility a little bit for me. Now I’m left wondering, is Carbon Monoxide a silent killer, or is this one man’s deranged crusade? Suddenly it seems a short trip from “gas is coming through your granny’s vent to kill her” to “the UN have bases in the Wicklow Mountains and are spying on us” or “Pat Kenny is an unstoppable arsehole”.
  6. “If in doubt call 1850 79 79 79, cos you might not get a second chance”-What Duncan means here is that Carbon Monoxide is a lot like life.

Seriously though, Carbon Monoxide IS a silent killer, it could be in your room right now, it could be all around you. It watches you sleep and it has no regard for human life. It probably had a poor upbringing and was never taught right from wrong. Don’t leave anything to chance this winter.

The Ronseal Aesthetic

Tuesday, September 11th, 2007

I have a real interest in advertising and the way it meets popular culture, or even becomes part of it. I guess it’s like the unmentioned or unreviewed artform a lot of the time.

Perhaps some people have reservations about the strictly commercial nature of the ad, but I like to imagine the advertising creative are just producing art within a strict set of rules and guidelines, just like countless actual artists. You could also argue that art does have roots in advertising, given that in the past artists would paint the portraits of their patrons.

One of the best examples of ads becoming part of popular culture is the Ronseal ad above. That’s a slightly newer version of a campaign that anyone who lives in the UK or Ireland will be instantly familiar with. If you google the slogan “it does exactly what it says on the tin” you get 182,000 results, including a Wikipedia entry.

What I find interesting about this Ronseal slogan is how it seems to describe not just a hardware product, but an entire outlook, an artistic aesthetic. This massive ad campaign manages to come across as anti-marketing, telling you that Ronseal products are devoid of nonsense, frills or pretention. It taps deep into the way we look at products and even art, and peoples slightly kneejerk paranoia about anything pretentious or lofty.

But the proof of what a curiously useful slogan this was is apparent in its spread throughout popular culture. It’s actually not uncommon to find people using the phrase “it does exactly what it says on the tin” about TV shows or records, which shows just how perfectly it sums up a particular artistic approach.

In an age where everything comes with a marketing campaign (even Ronseal) , people act as though simplicity and a lack of pretention is something that should always be lauded. I can’t help but feel that many people think art should “do exactly what it says on the tin”, or come in a tin that says exactly what it does on it. I guess there is a certain allure to this approach if people were truly fascist about it.

But is it ultimately desirable? Do we really want records or TV shows or books to be as straight forward as hardware products? Isn’t marketing and hype and image and mystery what makes things interesting? And of course, even doing exactly what something says on the tin is an image in itself.

I mean, there are occasions where this aesthetic fits an artistic product perfectly(and as a techno writer I’m well used to enjoying records that are akin to hardware products, functional, non-descript, essential), it’s important, I think, to be conscious of just how artless a proscription it is, how quintessentially British or Irish it is. Was this ad shown around Europe or in America? It would be interesting to know, it seems unlikely.

Also, there’s a pleasant irony in the genuine artistic beauty of the aesthetical bullseye achieved by that Ronseal campaign. You could say it was an ad that actually did far more than it said on the tin.

(Anyone have any other examples of ads or slogans that became part of life like this? In Ireland, I think the political party Fianna Fáil’s “A Lot Done, More To Do” really seemed to engrain itself and become a phrase people used divorced from the ad campaign. I guess Budweiser’s “Wazzup” also is an example of this, but I don’t like this one as much since it was a blatant grope for the status it achieved, rather than a sort of accidental triumph. Also, a company like Ronseal must have a pretty small advertising budget, which makes the achievement all the more fascinating. I wonder does the man who wrote the ad ever laugh to himself about creating a phrase. Such a rare boast.)